...meaning, this blog might look a little weird or off-kilter while I get things sorted.
I have actually been meaning to make some of these changes for a long time but never got around to it until now. Especially getting rid of those obnoxious little arrow graphics that came with the template I based mine on (a 3 column version of "Thisaway", which I can't for the life of me recall where I found). And changing that horrible peachy background color to something on the green-grey spectrum. And updating my blogroll/link list (e.g., getting rid of dead links, deleting stuff I never actually read anymore, adding some new stuff, etc.).
There should not be any major (or minor, for that matter) functional changes as a result of anything I'm doing. So let me know (if any readers are so inclined) if anything suddenly starts acting strangely. Also as always, if I've altered colors or margins in such a way that a particular browser complains or doesn't render things nicely, I would definitely appreciate knowing that!
Oh. And if anyone has any clue why there is a little random semi-colon at the top of the page (on the left hand side, where the left column meets the middle one), I would very much enjoy being enlightened on that matter. It bugs me but I have no idea how to get rid of it, or if it's perhaps some strange but inevitable artifact of using a 3 column template.
Also, I want to figure out how to shift the "sub-section" titles in the sidebars over to the left a bit. And make the sidebar "blocks" even at the top. And find some way to put borders between the columns. So if anyone has any tips on those matters, I will be happily receptive to them.
EDIT (as of 11 June, 2010):
The semicolon and vertical misalignment problems have been solved. See this post for updates and description of how this was done.
Friday, May 28, 2010
Wednesday, May 26, 2010
Window Seat / Storage Bench Project Finished!
Bench Basics
I've briefly alluded to this project before, but seeing as it's now basically complete (unless I decide to modify it in some way) I figured I would post in a bit more detail about the window seat / storage bench that now sits in my living room, providing a lovely view out the large picture windows at the front of the house.
For starters, here are some pictures of the finished product:
The bench, without cushions (to show the structure and paint colors more clearly).

With cushions...

...and a view of the living room, showing the placement of the bench in front of the window.

I got the idea in the first place to make a bench like this when Matt and I were in the process of gutting the old kitchen for renovation. This operation produced a lot of scrap wood, and while some of it was so thoroughly damaged by either water, layers of old cooking grease, or both that it wasn't worth salvaging, a decent amount looked fine. So we disposed of the nastier bits and kept the sturdier-looking pieces, which mainly consisted of long (90"-plus) and medium-sized (40"-ish) solid pine planks, about 11 inches wide and 3/4" thick each. These boards (shown below) sat next to the dining table for several months until I figured out my design:

I liked the idea of re-using as much as we could of the old wood because (a) sustainability win!, and (b) doing so would mean we were keeping the wood in its "home" (something that I imagine might not make sense to everyone, but which for me just seems kind of nice). And I'd wanted a "window seat", or something like it, ever since I was little.
Materials
Wood for the back, doors and some of the internal framing ended up being purchased due to not having pieces on hand appropriately sized for those elements, but the bench seat, sides, and bottom are all made from bits of the old kitchen. I also used a few pieces of random hardwood (additional support for the back and sides) salvaged from a neighbor's junk pile during Cleanup Week.
I probably spent less than $50 in additional wood and hardware, which is not "nothing", but a heck of a lot less than you would pay for a mostly-solid-wood bench of this size anywhere these days. And the paint I used was all left over from previous house-related projects. So it ended up being a really economically-friendly project as well as one that led to something guaranteed to match the existing decor (which, in this house, is sort of evolving into a bizarre mid-century/craftsman/industrial mutant hybrid done in shades of green, brown, white, and metallic, if that's even possible).
(image below shows the bottom and internal frame-support pieces for the bench, during the build process):

Doors
The doors on the front were probably the trickiest things to design and implement. I didn't even have a clear sense of what style of door would work (and look) best for this bench until the whole main structure was finished.
My first idea was to have the doors swing outward from hinges, but I nixed that plan after realizing that if I used hinges at all I would have to worry about somehow creating a "locking" mechanism, so the doors would not swing shut (creating either an inconvenience or a safety hazard, depending on where the hinges were placed) while one was rummaging around in the storage section. And I decided I did not want to deal with either the expense or the liability (if my locking mechanism didn't work) of that method.
In the end what I settled upon was sliding doors. I cut out three pieces of 1/4" plywood, painted them an olive-military green, and installed basic brushed-nickel circular closet door pulls in the result. Then, I installed two pieces of aluminum "U-stock" (with a 3/4" clearance between the inner sides of the "U") along the top and bottom front of the bench, and I pretty much had instant sliding doors at that point.
Cushions
Since the bench was a completely "custom" item (it was specifically sized to fit in front of two of the three large windows in the living room), I did not figure on being able to find a cushion of precisely the right dimensions, let alone of a preferred color and fabric type. So I decided pretty early on to just make the cushion myself, as that sounded a lot more interesting and fun than endless hours trying to find one at a store.
To make the cushion I employed several yards of cotton "duck cloth" canvas, a long piece of 1" thick foam, the strongest upholstery thread I could find, and some fluffy "batting" material (which I wrapped around the foam in order to add extra squishiness). All the textile and stuffing materials were purchased at Jo-Ann Fabrics.
To sew it, I used an old (well, circa 1968) Singer FashionMate sewing machine, which had previously been gathering dust in Matt's mom's garage (inherited from a deceased great-aunt, nobody had used it in years, and it was thought to be inoperable; turned out it just needed to be oiled).
(Image below shows the sewing machine. It's actually VERY well constructed and I feel ridiculously lucky to have been able to acquire it for free! It is nigh impossible to find decent cheap sewing machines these days made from all-metal parts as this one is, and I really needed something this sturdy to be able to handle canvas fabric.)

(Image below shows the sewing machine all folded up into its stand -- it makes quite an attractive little side table when not being used for sewing! Plus, the cats like sitting on it.)

The machine was a little bit tricky to set up at first, as the thread seemed to need to be wound in a positively circuitous manner, but eventually I got it working and had the cushion finished within a day.
Then, while I was at it, I made a fluffy throw pillow (out of some very fuzzy brown fabric I'd also picked up at the fabric store, after having found myself enamored with the texture) which can be seen on the left side of the bench in the "...with cushions" image above.
The larger brown cushion on the right of the bench I did not make -- that one is actually a cat bed that my brother and his wife gave the kitties this past Xmas. Originally I had it on the bench only "temporarily" (while I was busy sewing the main cushion) but the cats seem to really like having it there, so I am guessing it'll stay there a while. There is still plenty of room for several human rears along the rest of the bench, after all.
Tools Used:
- Probably the most important bit of machinery employed was the humble battery-driven power drill. I lost count of how many screws I used to hold the bench together, but trust me, it's a lot!
- A chop saw was used to initially cut the longer boards (Matt did that part -- I don't yet trust myself to operate something that moves so fast and is so capable of separating one from one's fingers.)
- A non-powered (bench-mounted) miter saw was used for most of the smaller support boards.
- I used a jig saw (powered, but far less scary than the chop saw) to cut the plywood for the back. It doesn't cut as straight as the chop saw, but I was able to use a small hand plane to even out the edges after cutting, so they turned out fine.
- Various manual screwdrivers were employed to tighten and install screws in places where the power drill (which doubles as a powered screwdriver, given the right bits) would not physically fit. Primarily I used Phillips type, since the wood screws I was using had Phillips heads.
- From the "interesting things I didn't know existed until recently" department, I used a doweling jig to make smooth, consistently-sized columnar holes into which small wooden dowels were placed, to help hold the seat and bottom boards together (each consists of two long boards, attached side by side).
- BAR CLAMPS. Seriously, I cannot express enough how much I have come to appreciate these adjustable, irrepressibly grabby wonders. They make so many things that would just be ridiculously difficult in their absence extremely easy. If you are going to start DIY-ing stuff involving wood, I HIGHLY recommend you invest in a number of these, preferably in a variety of sizes. I ended up using them to hold the doweled surfaces together (while the glue dried), keep boards sturdy while planing, hold one side of a thing together while I placed a screw into the other side, secure things to the work-bench during various forms of processing, etc.
- Sandpaper
- A paint scraper (vital for removing the layers of white paint and old shelf paper on many of the boards)
- Paintbrushes and rollers
- Pencils (for marking boards)
- Measuring tape
- Framing squares
- Level (during planing)
- Hacksaw (for cutting the aluminum door slide tracks to size)
- The aforementioned Singer FashionMate sewing machine (which IS a power tool, after all!)
Conclusion
Anyway, I realize what was actually built turned out being more of a storage bench that happens to be placed in front of a window than a true "window seat". Originally what I had in mind was something more like a built-in style bench, with bookshelves somehow incorporated into the sides, but that simply wasn't feasible given the fact that the entire front of the house basically consists of windows. There's simply not enough solid wall there to build anything into the structure of the house.
Nevertheless, I am still really pleased with the result. It blends seamlessly with the rest of the room, provides a wonderful sunny napping/bird-watching spot for the resident felines, and I definitely feel like I've taken a level in DIY following completion of this project. That aside, at the very least, making the bench was a whole heck of a lot of fun. I learned to use a number of tools, got better at using the tools I was already familiar with, and overall, the entire endeavor was a nice reminder that I do indeed have the ability to follow a project through from idea, to design, to realization-in-reality. And I did end up using a goodly portion of the leftover wood I'd saved.

I've briefly alluded to this project before, but seeing as it's now basically complete (unless I decide to modify it in some way) I figured I would post in a bit more detail about the window seat / storage bench that now sits in my living room, providing a lovely view out the large picture windows at the front of the house.
For starters, here are some pictures of the finished product:
The bench, without cushions (to show the structure and paint colors more clearly).

With cushions...

...and a view of the living room, showing the placement of the bench in front of the window.

I got the idea in the first place to make a bench like this when Matt and I were in the process of gutting the old kitchen for renovation. This operation produced a lot of scrap wood, and while some of it was so thoroughly damaged by either water, layers of old cooking grease, or both that it wasn't worth salvaging, a decent amount looked fine. So we disposed of the nastier bits and kept the sturdier-looking pieces, which mainly consisted of long (90"-plus) and medium-sized (40"-ish) solid pine planks, about 11 inches wide and 3/4" thick each. These boards (shown below) sat next to the dining table for several months until I figured out my design:

I liked the idea of re-using as much as we could of the old wood because (a) sustainability win!, and (b) doing so would mean we were keeping the wood in its "home" (something that I imagine might not make sense to everyone, but which for me just seems kind of nice). And I'd wanted a "window seat", or something like it, ever since I was little.
Materials
Wood for the back, doors and some of the internal framing ended up being purchased due to not having pieces on hand appropriately sized for those elements, but the bench seat, sides, and bottom are all made from bits of the old kitchen. I also used a few pieces of random hardwood (additional support for the back and sides) salvaged from a neighbor's junk pile during Cleanup Week.
I probably spent less than $50 in additional wood and hardware, which is not "nothing", but a heck of a lot less than you would pay for a mostly-solid-wood bench of this size anywhere these days. And the paint I used was all left over from previous house-related projects. So it ended up being a really economically-friendly project as well as one that led to something guaranteed to match the existing decor (which, in this house, is sort of evolving into a bizarre mid-century/craftsman/industrial mutant hybrid done in shades of green, brown, white, and metallic, if that's even possible).
(image below shows the bottom and internal frame-support pieces for the bench, during the build process):

Doors
The doors on the front were probably the trickiest things to design and implement. I didn't even have a clear sense of what style of door would work (and look) best for this bench until the whole main structure was finished.
My first idea was to have the doors swing outward from hinges, but I nixed that plan after realizing that if I used hinges at all I would have to worry about somehow creating a "locking" mechanism, so the doors would not swing shut (creating either an inconvenience or a safety hazard, depending on where the hinges were placed) while one was rummaging around in the storage section. And I decided I did not want to deal with either the expense or the liability (if my locking mechanism didn't work) of that method.
In the end what I settled upon was sliding doors. I cut out three pieces of 1/4" plywood, painted them an olive-military green, and installed basic brushed-nickel circular closet door pulls in the result. Then, I installed two pieces of aluminum "U-stock" (with a 3/4" clearance between the inner sides of the "U") along the top and bottom front of the bench, and I pretty much had instant sliding doors at that point.
Cushions
Since the bench was a completely "custom" item (it was specifically sized to fit in front of two of the three large windows in the living room), I did not figure on being able to find a cushion of precisely the right dimensions, let alone of a preferred color and fabric type. So I decided pretty early on to just make the cushion myself, as that sounded a lot more interesting and fun than endless hours trying to find one at a store.
To make the cushion I employed several yards of cotton "duck cloth" canvas, a long piece of 1" thick foam, the strongest upholstery thread I could find, and some fluffy "batting" material (which I wrapped around the foam in order to add extra squishiness). All the textile and stuffing materials were purchased at Jo-Ann Fabrics.
To sew it, I used an old (well, circa 1968) Singer FashionMate sewing machine, which had previously been gathering dust in Matt's mom's garage (inherited from a deceased great-aunt, nobody had used it in years, and it was thought to be inoperable; turned out it just needed to be oiled).
(Image below shows the sewing machine. It's actually VERY well constructed and I feel ridiculously lucky to have been able to acquire it for free! It is nigh impossible to find decent cheap sewing machines these days made from all-metal parts as this one is, and I really needed something this sturdy to be able to handle canvas fabric.)

(Image below shows the sewing machine all folded up into its stand -- it makes quite an attractive little side table when not being used for sewing! Plus, the cats like sitting on it.)

The machine was a little bit tricky to set up at first, as the thread seemed to need to be wound in a positively circuitous manner, but eventually I got it working and had the cushion finished within a day.
Then, while I was at it, I made a fluffy throw pillow (out of some very fuzzy brown fabric I'd also picked up at the fabric store, after having found myself enamored with the texture) which can be seen on the left side of the bench in the "...with cushions" image above.
The larger brown cushion on the right of the bench I did not make -- that one is actually a cat bed that my brother and his wife gave the kitties this past Xmas. Originally I had it on the bench only "temporarily" (while I was busy sewing the main cushion) but the cats seem to really like having it there, so I am guessing it'll stay there a while. There is still plenty of room for several human rears along the rest of the bench, after all.
Tools Used:
- Probably the most important bit of machinery employed was the humble battery-driven power drill. I lost count of how many screws I used to hold the bench together, but trust me, it's a lot!
- A chop saw was used to initially cut the longer boards (Matt did that part -- I don't yet trust myself to operate something that moves so fast and is so capable of separating one from one's fingers.)
- A non-powered (bench-mounted) miter saw was used for most of the smaller support boards.
- I used a jig saw (powered, but far less scary than the chop saw) to cut the plywood for the back. It doesn't cut as straight as the chop saw, but I was able to use a small hand plane to even out the edges after cutting, so they turned out fine.
- Various manual screwdrivers were employed to tighten and install screws in places where the power drill (which doubles as a powered screwdriver, given the right bits) would not physically fit. Primarily I used Phillips type, since the wood screws I was using had Phillips heads.
- From the "interesting things I didn't know existed until recently" department, I used a doweling jig to make smooth, consistently-sized columnar holes into which small wooden dowels were placed, to help hold the seat and bottom boards together (each consists of two long boards, attached side by side).
- BAR CLAMPS. Seriously, I cannot express enough how much I have come to appreciate these adjustable, irrepressibly grabby wonders. They make so many things that would just be ridiculously difficult in their absence extremely easy. If you are going to start DIY-ing stuff involving wood, I HIGHLY recommend you invest in a number of these, preferably in a variety of sizes. I ended up using them to hold the doweled surfaces together (while the glue dried), keep boards sturdy while planing, hold one side of a thing together while I placed a screw into the other side, secure things to the work-bench during various forms of processing, etc.
- Sandpaper
- A paint scraper (vital for removing the layers of white paint and old shelf paper on many of the boards)
- Paintbrushes and rollers
- Pencils (for marking boards)
- Measuring tape
- Framing squares
- Level (during planing)
- Hacksaw (for cutting the aluminum door slide tracks to size)
- The aforementioned Singer FashionMate sewing machine (which IS a power tool, after all!)
Conclusion
Anyway, I realize what was actually built turned out being more of a storage bench that happens to be placed in front of a window than a true "window seat". Originally what I had in mind was something more like a built-in style bench, with bookshelves somehow incorporated into the sides, but that simply wasn't feasible given the fact that the entire front of the house basically consists of windows. There's simply not enough solid wall there to build anything into the structure of the house.
Nevertheless, I am still really pleased with the result. It blends seamlessly with the rest of the room, provides a wonderful sunny napping/bird-watching spot for the resident felines, and I definitely feel like I've taken a level in DIY following completion of this project. That aside, at the very least, making the bench was a whole heck of a lot of fun. I learned to use a number of tools, got better at using the tools I was already familiar with, and overall, the entire endeavor was a nice reminder that I do indeed have the ability to follow a project through from idea, to design, to realization-in-reality. And I did end up using a goodly portion of the leftover wood I'd saved.

Saturday, May 08, 2010
My Suspension of Disbelief...
...is being challenged by Stargate Atlantis. My SO's mom let us borrow the DVDs of seasons 1 and 2, and Matt and I are about 2/3 of the way through the first season.
And while it's definitely plenty of fun to watch (I just happen to be one of those people for whom part of the "fun" in many things comes from nerdishly nit-picking them ad infinitum), for some reason I am finding it more...ridiculously hand-wavey of certain things than I would have cared about a few years back, even moreso than Stargate SG-1, which I have seen all 10 seasons of.
First and foremost: not only do the aliens all speak English, there is absolutely NO accounting for the fact that aliens ten thousand years in the past apparently also spoke modern English. I get that they don't want to have a show where every episode is "how do we communicate with THIS alien?", and I don't need it explained to me that "the show is made for entertainment". I know full well it's made for entertainment, and I'm quite entertained, but for crying out loud, even just the mention of a "universal translator" (or "translator microbes", a la Farscape) would set me a tiny bit more at ease.
I think Babylon 5 probably stands out in my mind as the best example of how to deal with alien language issues in televised sf...that is, in that universe, English is known as "the language of commerce", and many aliens on the station have hence had to explicitly learn it. And there are some aliens (such as my favorites, the Vorlons!) who, even when their linguistic utterances are "translated" to English, aren't immediately obvious in terms of what they mean.
Anyway, I was just sort of musing on that today, and on how so much of what I have read over the past few years has seriously raised my standards as far as what "adequately dealing with real-life complexity" means. Of course fiction is storytelling, and storytelling doesn't HAVE to conform to reality in every way (that would make it "reporting", or something), but I definitely find it adds to the story when certain things are at least accounted for rather than totally ignored or glossed over. I will continue to watch and enjoy Atlantis for what it does have, but I will also continue to be amazed at how totally not-even-remotely-believable it is. And I will hope at some point to find more intriguing sf viewing material where the writers put some more effort into creatively managing complexity!
And while it's definitely plenty of fun to watch (I just happen to be one of those people for whom part of the "fun" in many things comes from nerdishly nit-picking them ad infinitum), for some reason I am finding it more...ridiculously hand-wavey of certain things than I would have cared about a few years back, even moreso than Stargate SG-1, which I have seen all 10 seasons of.
First and foremost: not only do the aliens all speak English, there is absolutely NO accounting for the fact that aliens ten thousand years in the past apparently also spoke modern English. I get that they don't want to have a show where every episode is "how do we communicate with THIS alien?", and I don't need it explained to me that "the show is made for entertainment". I know full well it's made for entertainment, and I'm quite entertained, but for crying out loud, even just the mention of a "universal translator" (or "translator microbes", a la Farscape) would set me a tiny bit more at ease.
I think Babylon 5 probably stands out in my mind as the best example of how to deal with alien language issues in televised sf...that is, in that universe, English is known as "the language of commerce", and many aliens on the station have hence had to explicitly learn it. And there are some aliens (such as my favorites, the Vorlons!) who, even when their linguistic utterances are "translated" to English, aren't immediately obvious in terms of what they mean.
Anyway, I was just sort of musing on that today, and on how so much of what I have read over the past few years has seriously raised my standards as far as what "adequately dealing with real-life complexity" means. Of course fiction is storytelling, and storytelling doesn't HAVE to conform to reality in every way (that would make it "reporting", or something), but I definitely find it adds to the story when certain things are at least accounted for rather than totally ignored or glossed over. I will continue to watch and enjoy Atlantis for what it does have, but I will also continue to be amazed at how totally not-even-remotely-believable it is. And I will hope at some point to find more intriguing sf viewing material where the writers put some more effort into creatively managing complexity!
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